John Cameron Mitchell’s SHORTBUS explores the lives of several emotionally challenged characters as they navigate the comic and tragic intersections between love and sex in and around a modern-day underground salon. A sex therapist who has never had an orgasm, a dominatrix who is unable to connect, a gay couple who are deciding whether to open up their relationship, and the people who weave in and out of their lives, all converge on a weekly gathering called Shortbus; a mad nexus of art, music, politics, and polusexual carnality. Set in a post-9/11, Bush-exhausted New York City, SHORTBUS tells its story with sexual frankness, suggesting new ways to reconcile questions of the mind, pleasures of the flesh, and imperatives of the heart.

Horror movie director José is adrift in a sea of doubt and drugs. As his belated second feature nears completion, his reclusive bubble is popped by two events: a sudden reappearance from an ex-girlfriend and a package from past acquaintance Pedro: a reel of Super-8 film, an audiotape, and a door key. From there, the boundaries of time, space, and sexuality are erased as José is once more sucked into Pedro’s vampiric orbit. Together, they attempt the ultimate hallucinogenic catharsis through a moebius strip of filming and being filmed.

A delectably gory and cynical social satire from acclaimed filmmaker Paul Morrissey (BLOOD FOR DRACULA), FLESH FOR FRANKENSTEIN is among the most original and transgressive interpretations of Mary Shelley’s classic novel. Baron von Frankenstein (Udo Kier, SUSPIRIA), with the help of his bizarre assistant Otto, is determined to create a new master race. To achieve his objective, he constructs two perfect “zombies” from an assemblage of body parts, intending them to mate. Meanwhile, complications ensue as Nicholas, a farm hand, begins an affair with the Baron’s sexually frustrated wife all while searching for his missing friend Sacha (Joe Dallesandro, CRY BABY), whose head and brain have been used for Frankenstein’s male "zombie.” Upon its release, FLESH FOR FRANKENSTEIN became an immediate midnight and cult movie sensation. Now, the movie has been newly restored from its original negative!

With a camera implanted in her breast, Jane is assigned to eliminate drug-king Toplar and photograph everyone she kills along the way, so that The Agency can verify his termination. Legendary nudie director Doris Wishman had already brought Chesty Morgan (burlesque dancer Liliana Wilczkowska) and her 73-inch bust to the screen in Deadly Weapons, but ups the ante here as Chesty snaps, chokes, and strangles every goon in sight!